“The Lost Weekend” has one of the least-convincing of all film endings. Upon drinking himself silly for an entire weekend—this after a ten-day stretch of sobriety—Don Birnam (Ray Milland) is convinced that he is finally in control of his drinking problem. The movie he’s in believes this too; the music crescendos happily to signal the end credits.
If only the movie had maintained its earlier vein of cynicism. Up to the conclusion, “The Lost Weekend,” through Birnam, defines alcoholics as incurable and clingers to false hope. The sudden reversal of this idea smacks of Hollywood tinkering.
P.S. “The Lost Weekend” is the genesis of the scene—featured on “The Simpsons” and “Futurama”—of a character walking in the dark past germane neon signs.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment