Wednesday, December 3, 2008

Bolt (2008)--3/5

In “Bolt,” the title dog and his friends travel to Hollywood’s favorite locales: Hollywood, of course, and New York City, “Ohio,” and Las Vegas. The predictability in location choice extends to the scope of the film. “Bolt” is a slight entertainment.

One thing about “Ohio:” Remember the “Seinfeld” episode in which Newman and Kramer drive a mail truck full of empty bottles to Michigan? They stop in Ohio at a farmhouse and Newman gets into trouble with the famer’s daughter. Yeah, that’s what most people think Ohio is like. “Bolt’s” Ohio is no different: small towns and farmland.

“Bolt” is the first CG Disney movie made under the aegis of Pixar. John Lasseter, Pixar’s resident auteur, is credited as an Executive Producer. The Pixar effect is seen in Bolt’s central conflict. He thinks that he’s actually a genetically modified super-dog and eventually learns that he’s not. This still works, but it’s a little to close to Buzz Lightyear’s arc to be an original concept.

Often, behind-the-scenes employees are cast in small or cameo parts in animated films. Andrew Stanton, the director of “Finding Nemo,” plays Crush, the sea turtle in that film. Bud Luckey, an animator, plays Agent Rick Dicker in “The Incredibles.”*

None of these touch the brilliant casting of Mark Walton, an animator, as Rhino, the Bolt-worshipping hamster in a ball. When excited, Rhino’s tenor soars into squeaks and giggles. It’s just like a hamster would talk. Walton’s original temp track proved so funny that the directors chose to officially hire him. This bodes well for finally ending the trend of inappropriate celebrity voice-casting. If “Bolt” were a “Shrek” movie, Walton’s reading would be trashed in favor of Andy Dick caterwauling towards the microphone.


*He also made “The Ladybugs’ Picnic” and many other Sesame Street shorts.

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