"The Brothers Bloom" takes place down the street from Wes Anderson's world of oversaturated quirk. Penelope (Rachel Weisz) collects hobbies the way Max Fischer heads school extracurriculars.
"The Brothers Bloom" is yet another heist movie in which the con-men are doing "one last job" so they can "get out."
That's two strikes.
The film eventually comes into focus. It's still got kids in suits, slow motion to Cat Stevens, and a smug literary preciousness. All of that is ancillary to the plot; it's not the whole point.
The heist aspect of "The Brothers Bloom" mostly delivers. It's one of those movies, like "eXistenZ," that appears to be misstepping as it moves forward. The legitimately twisty ending needs to be digested and applied to the rest of the film in order for the whole to work. The laughably predictable double-crosses of the rest of the film aren't sloppy after all.